Glen KaufmanGlen Kaufman

Glen Kaufman Reviews/Articles/Books

  •  Fred Schwarz, “Glen Kaufman,” Craft Horizons, 27 (January/February 1967), pp. 16-18
  • Janet Koplos, “The Garment Form as Image,” Fiberarts, (November/December 1983), p. 66-67
  • “Gloves a la carte Glen Kaufman,” Kateigaho (October 1984), pp. 188-189
  • Zoe Woodruff Lancaster, “Glen’s Gloves: A Kaufman Retrospective,” Fiberarts (September/October 1985), p. 41.
  • “Japan Expressed Through American Eyes,” The Hokkaido Times, Japan, (November 18, 1987)
  • M. G. Edwards, “Textile Industry Looks for Inspiration,” The Japan Times (November 27, 1987), p. 17
  • Toshio Tanaka, “Tradition and Today Live Together,” Kyoto Shimbun (October 19, 1987)
  • Tomio Sagaya, “Imagination Incorporated into Nishijin Weaving: The Works of An American Surface Designer,” Senshoku Alpha (March 1988), pp. 53-55
  • Betsy Sterling Benjamin with Stephen Blumrich, “Artist Studio Collaborative Kyoto,  Japan,” Surface Design Journal (Spring 1988), pp. 12-13
  • Janet Koplos, “Ideas Flow at Kyoto Textile Conference,” Fiberarts (1988 No. 1), pp. 49 & 51
  • Carolyn Price Dyer, “GLEN KAUFMAN: A Synthesis of Two Worlds,” Fiberarts, (Summer 1989), P. 31
  • Tomio Sugaya, “Columbus and the Egg,” Sansai (October, 1989), p. 132
  • Jeon Myung – Ok, “A Fiber Artist Introduces His Work,” Monthly Crafts, (October,  1989), p. 17
  • “Fields of Indigo and White: Shibori Kimono Exhibit at the Georgia Museum of Art,”   Fiberarts, (November/December, 1989), p. 62
  • Jeon Myung-Ok, “Visual Experiences Through Grids: American Fiber Artist Glen Kaufman (Speaks About His Work),” Monthly Crafts, (December, 1989), pp. 32-34
  • “The Dyeing Flower,” Hali, (February, 1990), p. 49
  • MaryPaul Yates, “Pacific Inspiration: The Textiles of Glen Kaufman”, American Craft, (August/September, 1991) pp. 40-45
  • Pamela Blume Leonard, “Sophistication, use of grid define 5 aritsts’ fiber works”, The Atlanta Constitution (Friday, January 22, 1993), p. F2
  • Onaran, E.A. (Editor), Who’s Who in American Art 1993-94 20th Edition, (R.R. Bowker  a Reed Reference Publishing Co., 1993), p. 611
  • Westphall, Katherine (Intro), The Surface Designer’s Art: Contemporary Fabric Printers, Painters and Dyers, (Asheville, NC: Lark Books, 1993) Artist’s statement and 7 works illustrated in color, pp. 76-81.
  • Patricia Malarcher, “Men in Fiber Art”, Fiberarts (November/December, 1993), pp. 47-51.
  • Kiyoji Tsuji, “Narrative in Japanese Fiber Art, Interview with Glen Kaufman”, Senshoku Alpha (November 1995) pp. 50-53.
  • Marquis Who’s Who in the South and Southwest 24th Edition, (Read Reference Publishing Co. 1995).
  • Heather Allen, “Architecture in Textiles”, Surface Design Journal, (Summer 1997), pp. 4-7.
  • Dorothy Joiner, “Reflections/Visions: Glen Kaufman and Junco Sato Pollack”, Surface Design Journal, (Fall 1977), pp. 35-36.
  • Nouvel Object V, Essay on Artist, “Window, and Mist of Asia”, (Design House Publishers, Seoul S Korea, 2000) pp. 274-279.
  • Marquis Who’s Who in America 2005 Edition, (Read Reference Publishing Co. 2005).
  • Pamela Blume Leonard, “Textile art interweaves East and West”, The Atlanta Journal- Constitution (Friday, March 1, 2002) p. F6
  • Marquis Who’s Who in America 57th Edition, (Read Reference Publishing Co. 2006).
  • Lauren Whitley, Threads on the Edge: The Daphne Farago Fiber Art Collection, Museum of Fine Arts, Boston, 2002.
  • Janet Koplos & Bruce Metcalf, Makers A History of American Studio Craft, The University of North Carolina Press, Chapel Hill, 2010, pp. 426-7.
  • Jorie Johnson, “Jeans Festival“, Surface Design Journal, (Spring 2011), pp. 62-63.
  • Rhonda Brown, “Glen Kaufman: An Art Odyssey“, Shuttle, Spindle & Dyepot (Winter 2023), pp. 42-47.